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Film Review: Aap Kaa Surroor: The Moviee - The Real Luv Story

Sanjay Ram

Film: Aap Kaa Surroor: The Moviee - The Real Luv Story

Director: Prashant Chadha

Producer: Vijay Taneja

Presenter: Adlabs

Cast: Himesh Reshammiya, Mallika Sherawat, Hansika Motwani, Raj Babbar, Sachin Khedekar, Pankaj Jha

Rating: 2.5/5

Imagine creating a film with pieces that are shot at random, that too in Germany and brought back to the editing table to see if some sense can be made of it. This is precisely what Aap Kaa Surroor seems like till the intermission comes along.

Post that with people crying and the much needed masala being added, the film's graph rockets upward all the way.

So HR (Himesh Reshammiya) is a singer, his popularity and voice has brought him for a concert in Germany, arranged by Khurana. In an accident of sorts, his eyes catch Riya's (Hansika Motwani) sight. Call it what you will, they are head over heels in love with each other. Meanwhile a journalist, who insists on getting an interview with HR, is murdered and the prime suspect is none other than HR himself. He is arrested, as a video, originally a sting operation leaks out, showing him manhandling her. Upset with the whole thing Ria's father (Sachin Khedekar), is off to get her married elsewhere.

With love and friends by his side, he escapes prison and is on a mission to prove his innocence and win Riya back.

Barring the occurrence of the concert and murder, everything else is in the second half. You might as well buy a ticket and walk in an hour late as nothing much would have happened anyway. The film is so dreary in the first half; that even Motwani (who looks God sent and magnificent) and Reshammiya (who rocks, throughout the film) can't save it from the nothing to offer story. Even the dialogues are absurd, filled with senseless 'nose' jokes and sentences that lead to nowhere and mean nothing. Also in the first half the characters created are so full of themselves, it becomes nerve-racking beyond the first few lines they deliver.

Post interval the film begins to take shape, from gyrating aimlessly it starts to move forward with a purpose and intention. And surprisingly the...

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